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Εισαγωγικό
Σημείωμα /
Editor's Note
Savas Patsalidis and Elizabeth Sakellaridou
Cowboys as Theatrical Props and Dramatic Devices: Sam Shepard's
Cowboys #2 and Geography of a Horse Dreamer
Konstantinos Blatanis
Η στάση της
πολιτείας προς το Ελληνικό Θέατρο την περίοδο 1833-1851
Κωνστάντζα Γεωργακάκη
Mercy Otis Warren: Her
Political Self and Her Personal Dilemma
Zoe Detsi
"Alice Doesn't": Refusing
the Seduction of the Narrative in Caryl
Churchill's Vinegar Tom
Panayotis Domvros
Authorship, Textuality
and Intertextual Perspectives in the Theatre: The
Case of Shakespeare
Marο Germanou
Body, Space and Sign
Svend Erik Larsen
The Reception of Samuel
Beckett in Japan Seen Through Betsuyaku's Play Umi Yukaba
Mizuku Kabane
Junko Matoba
The Power of
Theatrical Discourse in a Belgian Production of The Glass Menagerie
Marc Maufort
Pinter's Politics of
Violence
Ewald Mengel
The Idea of Mediation
in Handke's Kaspar
Savas Patsalidis
A
Sisterhood of Women: Marsha Norman's Getting
Out and The Laundromat
Margarete Rubik
Columbus el
Filibustero: John Brougham's Mirror of Discovery
Pat M. Ryan
Audience Control,
British Political Theatre and the Pinter Method
Elizabeth Sakellaridou
Modernist Drama /
Postmodernist Performance: The Case of Samuel Beckett
Olga Taxidou
Reception of African American Theatre in the
USSR
Natalya Vyssotskaya
Censoring
Eugene O'Neill
Steve Wilmer
Woman As
Citizen in Satiric Melodrama: Joan Holden and the San Francisco
Mime Troupe
Donna Jean Zäne
Contributors
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