Volume 10 Contents

A Look at Both Sites: Forword
Savas Patsalidis and Elizabeth Sakellaridou

Part I: Technology in Performance: Reactions and Interactions

Dance and Interactivity
Johannes Birringer

Performing the Cyberbody on the Transnational Stage
Sue-Ellen Case

The Aesthetics of Disappearance and the Politics of Visibility in the Performance of Technology
Matthew Causey

Backwards and Forwards: Regression and Progression in the Production Work of i.e. VR
Lance Gharavi

Εικονικό σώμα και ζωντανό κορμί: Σκέψεις για την εφαρμογή της τεχνολογίας στο σύγχρονο θέατρο
Βάλτερ Πούχνερ

Part II: Technology and the Dramatic Text: Uneasy Relationships

A Crucible of Two Cultures: Timberlake Wertenbaker's after Darwin and Science in Recent British Drama
Mark Berninger

«Ω τι θαυμαστός καινούριος κόσμος!» Η τεχνολογία ως πανάκεια και όλεθρος στο ελληνικό θέατρο του 20ού αιώνα
Θόδωρος Γραμματάς

De-sexing the Maternal: Reproductive Technologies and Medical Authority in Contemporary British Women's Drama
Jozefina Komporaly

Technology and the Playwright
Richard H. Palmer

Exporting an Aesthetic, Importing Another? Experimental (Ad)ventures in Contemporary British Theatre
Elizabeth Sakellaridou

Copenhagen and Beyond: The "Rich and Mentally Nourishing" Interplay of Science and Theatre
Kirsten Shepherd-Barr

Book Reviews

Poggi, Valentina and Margaret Rose, eds.
A Theatre That Matters: Twentieth-Century Scottish Drama and Theatre. A Collection of Critical Essays and Interviews.

Elizabeth Sakellaridou

Savas Patsalidis and Anastasia Nikolopoulou, eds.
Melodrama: Generic and Ideological Transformations.

Miltos Pehlivanos

Grammatas, Thodoros.
To Elliniko Theatro ston 20o Aiona. Politismika Protypa kai Prototypia. [The Greek Theatre in the 20th Century. Cultural Models and Originality].

Doxa Daphni