Volume 22(1) Contents
|
Editorial Note: The Glo-c-ality of the Greek Classics
The Ancient Greek Democratic Ideal and its Relevance
for Today’s World The Trojan War on the Contemporary Western Stage:
Transversal Readings The Reception of Ancient Greek Tragedy in Late
Modernity: From the Citizen Viewer of the City-State to the Consumer
Viewer of the Global Cosmopolis The Unapologetic Seduction of Form: Texts as Pretexts
in Postmodern Versions of(f) Greek Tragedy Bodies, Back from Exile Ancient Tragedy: Between Post-Modernism and
“Transfer” Post-poetics Culture, or, Pre-conscious Ferocity The Philosophical Language of Dramatic Art as a Moral
Vehicle Towards a Reading of Crisis and Self-awareness: The Dialectical
Embrace of Dramatic Art and Philosophy as a Reflection and Challenge
Upon Crisis Iakovos Kambanellis’ The Supper: Heterotopia,
Intertextuality and Metatheater in a Modern Tragic Trilogy The Translator’s Invisibility: Handling Iron Book Reviews Reimagining Greek Tragedy on the American Stage Authoring Performance. The Director in
Contemporary Theatre Dionysus Resurrected: Performances of Euripides’
The Bacchae in a Globalizing World John Florio. The Man Who Was Shakespeare CONTRIBUTORS |
Current Issue
Forthcoming Issues
Volume 23 (2015)
Digital Literary Production and the Humanities
Edited by Tatiani G. Rapatzikou and Philip Leonard
Volume 24 (2016)
The Viewing of Politics and the Politics of Viewing: Theatre Challenges in
the Age of Globalized Communities
Edited by Zoe Detsi and
Savas Patsalidis
Call for Papers